Ernest wrote:I like "Backstreet Kids" enough. I think it's one of the strongest songs off the album. It might've, maybe, good enough for Sabbath Bloody Sabbath, in some strange universe.
Ernest wrote:I don't think any of these songs are particularly bad
Never Say Die contains more songs in proper Black Sabbath vein and better Iommi riffs, so the content must be slightly stronger. Technical Ecstasy is unpleasantly surprising album in its variety of styles - from "It's All Right" (it is dearest Mr. Ward, it is, but it ain't Sabbath) to "She's Gone" (ugh, and I can enjoy "Changes").
Real Black Sabbath somehow needs Ozzy in front of the band and Ward in the back. Right? Right.
I do not feel Ozzy's vocal performance on Never Say Die at all. He bugs me the most, like he was jaded version of his former self. I dig Ward groove.
Additionally, I remember NSD as muddier studio recording. I prefer mid-1970s sound of the previous record and general shitty vibe including ugly cover.
I am not in the right mood to defend remnants of redeeming qualities in Technical Ecstasy but in overall I'd pick it as Black Sabbath's troubled swan song and then welcome Heaven and Hell by Black Sabbath II. Once Bill Ward is out of the game I lose interest in Black Sabbath records.
i've always liked "dirty women" -the riff at 3:16 is pretty killer and the opening rhythm is good too.
i like the production of NSD better, it has a nice room-y sound to it that other albums were lacking, but i tend to go back to technical ecstasy more, so it gets my vote.
Is it just me or is Never Say Die way too trebly? It sounds like they were all so jacked up on coke that they made the engineer shelf up everything after 5k by about 12dB so they could hear the "sheen".
tommydski wrote:I've noticed that El Protoolio has been the voice of good reason and conscience on the PRF... Salut El Protoolio! You are dignified. Salut!
El Protoolio wrote:Is it just me or is Never Say Die way too trebly? It sounds like they were all so jacked up on coke that they made the engineer shelf up everything after 5k by about 12dB so they could hear the "sheen".
Totally. Seems like there are phase issues with Geezer's bass in the song 'Never Say Die' too.
Another case of Spotify falling down. It has neither album, although I regrettably own a copy Technical Ecstasy. However, if you want to stream Dehumanizer or the first two tracks only of the first album, Spotify'll hook you up.
Ian Gillan singing "Rock 'n Roll Doctor" is actually really good! Which is weird, because that's one of the dumbest songs Sabbath ever put to record. I'd say this live version is the best thing to result from whatever the hell Sabbath was thinking when recording these two.
Really, I think the most disappointing thing about these two albums is that they sound absolutely nothing like Black Sabbath. Not one single heavy moment. It's more like Foghat or better version of Foreigner or something.
El Protoolio wrote:I don't believe in this concept of having "too much beer"
Ian Gillan singing "Rock 'n Roll Doctor" is actually really good!
Uh... I definitely would not go so far as to say "really good"... maybe just "less bad"?
sulfur)addict wrote:Which is weird, because that's one of the dumbest songs Sabbath ever put to record.
Absolutely.
sulfur)addict wrote:I'd say this live version is the best thing to result from whatever the hell Sabbath was thinking when recording these two.
Sure. Because you can close your eyes and pretend it is a boogie-woogie Deep Purple track, and not Black Sabbath - that is how it could almost possibly make a little sense.
sulfur)addict wrote:Really, I think the most disappointing thing about these two albums is that they sound absolutely nothing like Black Sabbath. Not one single heavy moment. It's more like Foghat or better version of Foreigner or something.
subprime wrote:Never listened to any past the first five, never will.
OK, so lemme get this straight... you are then, with a straight face, insinuating that 'Sabotage' belongs on the other side of the line (i.e. grouped with 'Technical Ecstasy)?