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Microphones for toms

Postby Kyuss on Fri Apr 21, 2006 5:53 am

What kind of microphone I could use for toms? Please don't say to me Sannheiser MD 421
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Postby MTAR on Fri Apr 21, 2006 2:52 pm

any microphone other than a sennheiser MD421-II.
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Re: Microphones for toms

Postby Rodabod on Fri Apr 21, 2006 5:59 pm

Kyuss wrote:Please don't say to me Sannheiser


I doubt anyone would, in fact, I've never heard the word Sannheiser before.

Try the Tech Room.
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Re: Microphones for toms

Postby skatingbasser on Fri Apr 21, 2006 9:38 pm

Rodabod wrote:Try the Tech Room.


What he said.

And use the search function.

Some great terms to try would be "tom" and "microphone."
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Postby Jeremy on Fri Apr 21, 2006 9:58 pm

eh, I'll throw a bone.

Josephson e22
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Postby InvalidInk on Wed May 10, 2006 11:53 am

Oktava 012

Once you use it on the toms you will never look back.
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Postby rob v. on Mon May 15, 2006 2:16 am

we generally use the josephson e22s or the akg 451. microphones on top and bottom heads...bussed to the same place. flip one of the two out of phase. see what sounds closest to what you're looking for. mix levels to tape accordingly. and sennheiser 421's are not bad microphones. sure, there are better ones, but you could do a lot worse. 421's would be just fine.
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Postby thebookofkevin on Mon May 15, 2006 8:11 pm

i like the modified sm57 on hi toms.

if you can find the right screw adapter to make it go on a normal stand, the sennheiser MD21 is good too (and great on bass amps)
i've been spending most of my time over here lately.
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Postby Ferrett on Thu Jun 01, 2006 9:51 am

How about using 609s? There great if you want a lil less cimbal bleed. or 451 taped with a 57 to avoid phase!!
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Postby polymath on Fri Dec 29, 2006 1:49 pm

I have a pair of Rode NT5's that I like a good bit, but I mostly just use them for overheads (lack of money, lack of enough active inputs for a full live setup [again a lack of money]). I place them over and pretty close to the cymbals, (which flank the head toms on either side), but slightly off and they get a pretty good response and mix. I should probably work on positioning some more, however. These mics get a very clear sound, flat frequency response. I'm happy with them. I do not know much about these other mics, though. I've been looking into some small dynamic ones for the toms, actually.

Good luck.
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Postby Uecker on Fri Jan 05, 2007 9:15 pm

i've had good luck with the beyer m201 on small toms and senn e602 on floor... really lke the audix i5 on both though. plus they are cheap and not a sm57.
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Postby danmohr on Fri Jan 05, 2007 9:37 pm

Here's another vote for the Oktavas or (if you have the -10 or -20 dB pads and the swivels) the AKG 451s (not the reissues - they don't have interchangeable capsules and don't work with all of the accessories).

Back in the low rent era, I used 58s with the grills removed. This was never the worst thing about the records I made in those days and we had lots of 58s.

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Postby JC23by5 on Mon Mar 05, 2007 8:02 pm

Obviously the Josephson e22 is great...but those Oktavas are damn fine choices as well. I've never messed around w/ the modded 57s though.....could be interesting. Just experiment a bit and you'll come up with something that pleases you.
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Postby matthewbarnhart on Wed Mar 21, 2007 11:27 am

Has anyone use the Audio-Technica ATM450 on toms? The descriptions I've read make them sound like a really good deal.
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Postby Rachi on Tue May 01, 2007 11:58 pm

I like M88's on floor toms and modified 57s on the rack
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Postby japmn on Thu May 03, 2007 5:16 pm

Jim at Clava has a pair of Sennheiser 406's.
I used one on a guitar cab and loved it. Seemed like it would be great for rack toms. I kind of like those EV mics with the egg shaped adjustable capsule. I forget the name. U87 on a floor tom if you want to risk a busted U87.
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Postby congleton on Wed May 30, 2007 12:37 am

here here on the ATM450 for toms. they are choice. and cheap too!
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Postby Mangwisto on Fri Aug 03, 2007 12:56 am

Beyer M201's here too. I think they're slightly more rich sounding than the SM57/58's
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Postby godawful on Fri Aug 17, 2007 12:14 am

i've been using mc/mk-012s for a while. been pretty happy with them but i feel like i need to place them a little further from the heads than i'd like. i record lots of hardcore/punk bands, so the cymbal bleed can get a little out of control at times.

a friend of mine swears by the at450s. i like the side-address - seems like placement would be a lot easier, esp with those drummers that have the cymbals right off the toms.
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Postby r0ck1r0ck2 on Fri Aug 17, 2007 4:12 am

cad m179...

good on beater side of kick as well
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