We might have some cymbals, but… no promises! You should def bring yours.

2 kits’ worth of drums: 24” and 22” kicks, 18”, 16”, and 14” floor toms, 12” and 13” rack toms. Matching 14x 5.5” snare available.

Set of two kettle drums

13” x 3”.

14” x 5”. Acrylic shell.

14” x 5”.

26” bass drum, 16” and 14” floor toms, 13” rack.

13” x 4” maple shell with cast magnesium alloy rims.

Multi-ply maple kit. 24” kick, 18” and 16” floor toms, 15” rack".

14” x 5” aluminum shell. Workhorse.

1960s keystone badge Supraphonic. 14” x 5”.

60s maple-poplar kit. 20” kick, 14” floor, 12” rack tom.

1960s multi-ply maple kit. 22” kick, 16” floor tom, 12” and 13” rack toms.

14"x7" snare drum with spun-basalt filament shell.

True-blue 1959 tweed Vibrolux. Cousin to the Fender Deluxe, with some minor circuit changes and a smaller speaker, and vibrato.

Dark rocker with tremolo

Versatile Canadian warhorse

Delightful solid state bass head that can go clean or MEAN.

Solid state bass head, 5-band graphic EQ.

70s solid state bass head

Adjustable-output two-channel boutique head

Jim Marshall-designed, fantastic sounding and freaking loud for a 50-watt head.

Classic British 80 Watt ripping guitar amp

Head-only Silverface Twin amp

Boutique 7W class A single-ended tube amp

7- or 15-watt tube head you can fit in a backpack

Bright and clear guitar cabinet

Slightly deeper-sounding than our other single-15” cabs.

To go with that thunderbroom, duh.

We have a Blackface (60s) and Silverface (70s) both sound like glam rock in platform heels at a volume you can talk over.

Ripping old PA amplifier

50-watt classic

100-watt version of the classic JMP

Canadian hard rock stalwart

The Big Time Operator

Dual-15” 8 Ohm cabinet with good bass extension and power handling.

Loaded with Celestion G12-65s.

Loaded with Celestion G12H speakers

Garnet “stencil” head

1963 50-watt head

Not a Blues Jr., it’s a Pro Jr. Two-knob tube combo.

1990s dreadnaught. Dread not, I say!

Difference between this and the more classic 335? 10!

Short-scale blue plastic-and-wood amalgam. Makes guitar players think they are good at bass.

Franken-guitar: Squier body, Duncan humbuckers, and huge Warmoth “boat” neck.

It’s been sanded down, bridge pickup replaced with a humbucker, and NO WHAMMY, SISTER.

US-made, single P-90 (bridge position). All stock.

Pretty sure this is our first proper left-handed guitar - pretty great, right?

Mahogany body ( Semi hollow ) with center block

Flatwounds and percussive sound

Weirdo Steve Guitar #142

MIM; belongs to Office Bear Forever In Our Hearts

The Pride of Martha’s Vineyard

The “wedge,” aluminum-necked guitar.

Names can be aspirational…

One of the classic aluminum-neck guitars

Modern, highest-quality dreadnought

Gorgeous-sounding and immaculately crafted acoustic

Solid, heavy, versatile bass

Small-bodied, relatively dark acoustic, great for flatpicking.

335-style hollowbody

Real deal

1960s B25 (I think, don’t sue)

USA “Highway 1” version

USA “Highway 1” version

Hollowbody archtop jazz box

Giving the Veleno some competition in the shine dept.

Les Paul copy

Drone instrument

Great for rags or… well, just rags.

Electronic clavichord, the sound of “Superstition”

When we dunk on Casio, we dunk on ourselves

Early sampling keyboard. This one’s actually cool.

Good for 10-bit samples of dog barks and the like

Remember when Best Buy sold keyboards? Yeah…

It could be fun, who knows?

Organ, with Leslie rotary speaker cabinets

It’s beige to match your yacht

The brighter of Studio A’s pianos is a 1920s converted player piano (!)

Studio B’s gorgeous grand piano

Monophonic subtractive analog synth.

Our Rhodes was lovingly refurbished by Max at Chicago Electric Piano Company.